Inside the canvass, between its patterns, nature lives.
Nature which cries out, fights and emits deaf sounds that become discernable tones only after their termination, which has been irreversibly established by the artist.
The canvass acts as a cradle, throbs with internal travail, feels life pervading and invading it, silently and inertly reacting. That same canvass, up to now a simple tool, pretext and concept, becomes a “part”, an accomplice, earth, God of that which the gaze of the observer, unaware of the internal process, will perceive as a simple “picture”.
TTOZOI, therefore, does not create new events but is the one who knows how to let them happen. He restricts himself to promoting the carrying out of such new events with the spontaneity and imagination of dreams, leaving the story of his works in the hands of an automatism freed of all descriptive intent.
The observer, is swept away by the vibrations of life born free of any dogma or reasoned action, he and only and he decides its natural termination, consecrating the work to the eternal and sublime artistic narration.
Here is the naturally absolute informal: the lyrical dimension between being and becoming.